The purpose of the Commercial Music Certificate of Achievement, (formerly Audio Production for Digital Media), is to provide students with an overview of MIDI sequencing, sound synthesis, audio recording, digital and analog audio technology, live sound, electronic music production, basic music theory, sound design for multimedia applications including video games (for educational and/or entertainment purposes), and delivery of audio content over radio, television, and the Internet. Graduates are prepared for entry-level positions in professional audio production including audio engineering, sound design, audio-for-video post-production, broadcasting, and CD/DVD mastering.
Santa Rosa Campus
Santa Rosa campus recording studio, located in the Forsyth building, offers a control room with windows overlooking two large performance and rehearsal spaces. It provides connections that allow recording from these two spaces as well as several practice rooms. The control room is equipped with a Pro Tools centered workspace, SSL controllers, industry standard outboard gear, preamps and a collection of microphones and instruments. The computer lab, with workstations for Ableton and Pro Tools sessions is also available in Maggini Hall.
Classes Offered
- Music 50: Introduction to Music Technology
- Music 51: Electronic Music
- Music 55: Songwriting
- Music 52: Intro to Sound for Video Games and Media
- Music 60A: Introduction to Recording
- All music theory and performance classes available for the degree and certificate

Petaluma Campus
The Petaluma campus recording studio and computer lab offers 25 computer workstations loaded with DAW software and plugins, including Pro Tools and Ableton. The studio offers a control room with modern microphones, mixing, and recording equipment, as well as the Trident TR88 24 channel mixing console. The control room looks into a tracking room for live recording, it also provides connections to an iso booth and the computer lab classroom for a variety of recording situations.
Classes Offered
- Music 50: Introduction to Music Technology
- Music 51: Electronic Music
- Music 52: Intro to Sound for Video Games and Media
- Music 60B: Advanced Recording & Mixing
- Music 70A/B: Music Industry (which operates the Don’t Flunk Me Records student record label)

Digital Media Suites

Courses
Music 50: Introduction to Music Technology
This introductory course examines the concepts, terminology, techniques, and equipment related to music technology. Students will receive a solid foundation in the principles of sound, MIDI, synthesis, digital recording, and computer-based music notation, as well as hands-on experience with state-of-the-art industry hardware and software. Designed for students with an interest in composition, songwriting, digital audio, and/or multimedia.
Music 51: Electronic Music
In this course students are introduced to the techniques and elements of electronic music production. They will produce compositions utilizing MIDI sequencing, synthesis, sampling, and effects processing in a Digital Audio Workstation (DAW).
Music 52: Intro to Sound for Video Games and Media
An intermediate- to advanced-level hands-on workshop in digital audio focusing on the production of master audio tracks for multimedia applications. Students will explore audio for video and film, audio for spoken word, non-linear audio for interactive media and video gaming, podcasting, postproduction techniques, and mastering.
Music 60A: Introduction to Recording
This course is a comprehensive introduction to studio recording with Pro Tools. Topics include basic audio theory, the fundamentals of recording, signal flow, microphone selection and placement, mixers, patchbays, monitors, and a hands-on introduction to the Pro Tools system.
Music 60B: Advanced Recording & Mixing
This course covers intermediate- to advanced-level applications in studio recording with Pro Tools and an introduction to art and skill of live sound and live recording. Topics include signal processing, mixing techniques, use of plug-ins, and preparation of the final mixdown. Students will learn how to operate a recording studio independently.
Music 55: Songwriting
This course is a popular songwriting workshop designed for aspiring and semi-professional songwriters. Students will create songs in several styles by analyzing and applying the lyrical, rhythmic, melodic, and harmonic strategies used in classic and contemporary songwriting. The subjects of copyrights, publishing, and distribution will also be presented.
Music 70A: Music Industry 1: Fundamentals
This course offers a broad look at the music industry in a real-world setting through collaborative learning. Students will work in teams called "base groups" to accomplish various duties associated with the operation of an independent record label. Topics include the history of the music industry, record label business models and practices, copyrights, contracts, and ethics as they pertain to creating a recorded music product.
Music 70B: Music Industry 2: Marketing & Distribution
This course offers a broad look at the music industry in a real-world setting through collaborative learning. Students will work in teams called "base groups" to accomplish various duties associated with the operation of an independent record label. Topics include music publishing, distribution, music marketing, live shows, and data analysis as they pertain to creating and selling a recorded music product.
SRJC Student Record Label: Don’t Flunk Me Records
The music industry class also operates the student label Don’t Flunk Me Records. The label works with local Artists to produce, distribute and market music while learning about the music business. To find out more, hear some of the projects produced by the label and check out some of the local press visit dfmrecords.com. As a student you can also join the Record Label Club which facilitates recording sessions and support for music projects amongst Commercial Music students at SRJC.
Faculty

Rudolf Budginas
Dr. Rudolf Budginas (Dr. B) holds a Doctorate in Music from the University of Southern California and currently serves as Chair of the Music Department at Santa Rosa Junior College.
A classically trained, award-winning pianist and commercial music educator, Dr. B brings a dynamic blend of tradition and innovation to his work. He has distinguished himself as an international pianist, performing solo, with orchestras, and as the leader of cross-genre ensembles.
Among his many performances, Dr. B has collaborated with a range of notable artists, including guitar virtuoso Kenny Lee Lewis of the Steve Miller Band, metal band drummer John Whitney (City Sleeps), and acclaimed jazz vocalist Inga Swearingen. He has performed solo in major venues such as the Gallo Center for the Arts in Modesto and the Rabobank Theater in Bakersfield, PAC San Luis Obispo.
Dr. B also held a national concert contract with the artist management company Live On Stage, through which he headlined over 100 concerts across 32 U.S. states. He is a frequent special guest for international organizations, including the European Union and embassy events in Washington, D.C., and regularly gives masterclasses and adjudicates piano competitions across California. He is also a keynote speaker, including the TedX series in Northern California.
Previously, Dr. B was a faculty member at Cuesta College in San Luis Obispo, California, and served as the director of the orchestra at Thomas Aquinas College in Santa Paula, California. In addition to these academic roles, he established an independent recording studio and produced original jazz, rock, and electronic music projects throughout California’s Central Coast.
Upon joining the SRJC Music Department, Dr. B revitalized the college’s digital audio program, including the upgrade and ongoing maintenance of a state-of-the-art recording studio. He also played a key role in developing a vibrant commercial music curriculum that bridges performance, songwriting, sound engineering, and electronic music production.
With an extensive background as a concert piano performer, arranger, producer, and recording artist, Dr. B is known for breaking down barriers between musical genres while maintaining classical training as a strong foundation. Whether teaching aspiring performers or tech-savvy creators, he is shaping the next generation of versatile and forward-thinking music professionals.

Barry Blum
Barry Blum is a highly accomplished audio professional with an extensive career in music production, sound design, and composition. A key figure in the San Francisco music scene in the 1980s, Barry formed the Barry Beam Band and released records with AIM Records, including the hit track “Wac’s in Slacks.” He later teamed up with producer John Hedges to create the dance record "Jump Shout," which reached #2 on the Billboard charts, went Platinum in Mexico, and achieved global success. With over 30 records released, Barry’s music was featured on major labels like Sony and RCA, and hits such as “Rocket to Your Heart,” “Sex Dance,” and “Mandatory Love” continue to resonate with audiences. Joel Selvin of the SF Chronicle dubbed him "San Francisco’s hottest dance producer" for his contributions to the music scene.
In the 1990s, Barry transitioned into the video game industry, composing music and sound design for over 75 games with major companies like SEGA, EA, and 3DO. His expertise has led to collaborations with notable clients such as the Discovery Channel and HBO Max. Currently, Barry is a member of the band LTBeam, which is signed to Quark Records. Alongside his music career, Barry teaches voice and continues to perform in various Bay Area bands. With a deep passion for all things audio, he remains a significant figure in both the music and gaming industries.

Jake Stillman
Jake Stillman is a seasoned music producer, recording engineer, and musician with professional experience in audio production since 2009. While earning a dual Bachelor's degrees in American Indian Studies and Broadcast and Electronic Communication Arts with a Minor in Criminal Justice, from San Francisco State University he worked as an ethnographic audio recordist in the non-profit sector, contributing to language preservation and cultural revitalization projects for Native Californian communities. He received the American Indian Studies hood upon graduating in 2011.
After graduation, Jake immersed himself in the Bay Area music scene, engineering at renowned venues like The Great American Music Hall, Slim’s, and Public Works. His freelance work with studios, record labels, and producers paved the way for launching Stillman Sound, his project studio specializing in music mastering, mixing and producing. He served as lead engineer at House of Rock from 2018 to 2021. In 2021, he designed and built Storyteller Sound, a private recording studio in Petaluma, where he served as lead engineer until the studio moved in 2024.
He establish Wilson Street Records, an independent label dedicated to documenting and supporting the North Bay music scene in 2018. He later returned to SFSU, earning a Master’s degree in 2019 and receiving both the Michelle Wolf Graduate Teaching Award and the Stuart Hyde Award: Writing About the Media for his research on audio production pedagogy and the music industry. This led to the development and launch of the student record label Don’t Flunk Me Records here at SRJC.

Len Haynes
Len Haynes brings over 30 years of audio production and music industry experience to Santa Rosa Junior College. Len has had a long career as a music producer, audio engineer, songwriter and electronic musician based in Los Angeles. Over the decades, Len has produced, recorded, mixed, and/or performed with an eclectic variety of musical artists including: Lydia Lunch, Nik Turner (Hawkwind), Damo Suzuki (CAN), Simon House (David Bowie, Hawkwind), Brainticket, DJ Me DJ You, Nels Cline (Wilco), and Gary Numan among others. His songwriting compositions have been featured in various television shows and motion pictures worldwide including: Queer Eye (2005), The Babysitters (2007), and Ocean's 8 (2018)
to name a few.
Len teaches courses in audio production, video production, multi-camera television production, mass communication, media literacy, and digital media at Santa Rosa Junior College, Sonoma State University, San Francisco State University and Los Medanos College. He holds a Master of Arts and a BA in Broadcast and Electronic Communication Arts from San Francisco State University, as well as an Associate of Arts in Cinema/TV Production from Los Angeles City College.

Dave Greenberg
Dave Greenberg is a highly accomplished music producer and songwriter with over 25 years of experience in the industry. Dave has worked at some of the most famous recording studios in the business including Electric Lady Studios, The Hit Factory, River Sound, NRG, and Capital Studios. He has witnessed the transition from the “record business” of the ’90s, to the entrepreneur-driven, home studio production, and streaming world today. He is passionate about the new music industry, leading production at Storyteller Sound in Petaluma, CA, and also teaching Music Production to the next generation of aspiring artists at the venerable Santa Rosa Junior College.
Throughout his career, Dave has been inspired by some of the greatest music producers of all time, including Quincy Jones, Rick Rubin, Nile Rogers, and George Martin. In college, he landed internships at Columbia Records with Don Devito, and at Soundworks Studios where Madonna was recording at the time. After that, he worked with some of the most influential record labels in the business, including Columbia Records, Jive Records, Sony/BMG, and EMI.
Over the years, Dave has worked with a wide range of artists, from up-and-coming talent to established icons of the music world. Whether working in the studio or collaborating with artists to write songs, Dave is always dedicated to bringing out the best in every project. His drive and art can be attributed to his passion for music and his unwavering commitment to excellence.